Last year it was urban exploring, and yesterday Mermaids and I were wheat-pasting on a boho street in Vancouver. I think the reason why I love Mermaids is not only because she listens to my compulsive activist critiques, but also because she makes me feel more badass than I can legitly claim to be.
She posted some truly magnificent works, which upsets me because she gives her art away like it's nothing, and I don't even get any of it! We covered a lot of prime area up and down the street. I stood taller and smiled wider on the way back to the skytrain, not because we had gotten away with our mischief, but because I felt accomplished, like I had made my mark on city history. People like Mermaids are the reason why [boho street] is known as culturally innovative. Standing in a dark alley and looking out for cops with a bottle of wheatpaste in your hand doesn't feel wrong when what we're giving away is artistic creation, esp the kind made by Mermaids (It's funny how my reverence of her art is so severely annoying to her. Self-depreciating artists do not go with well with groupies).
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Me hosting yesterday's new indie releases show with Mermaids. Podcast below!
http://www.cjsf.ca/vanilla_archives/2010_December_28_15_00.mp3
http://www.cjsf.ca/vanilla_archives/2010_December_28_15_30.mp3
I'm obsessed with the phenomena of Justin Bieber making millions while musicians like Hayate get squiddle. When asked what I wanted to do for a career, I used to say that I wanted to host a CBC music show. Even back then I knew I wanted to support undiscovered, indie art, but working for the public arts wasn't as altruistic as I made it out to be. To talk about and to talk to local musicians for the rest of my life - that's akin to early retirement! What an easy, enjoyable life that would have been.
But after hosting indie music shows on CJSF 90.1FM, I now know it's not enough to provide underrepresented artists with a broadcasting platform. Even if I forgave the CBC for its hierarchal, corporate structure and for its tendency to neglect the truly undiscovered, it's not enough to simply promote underground art. What we need is a fundamental change in the societal structures that marginalize these artists in the first place.
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CafeLatte, KitKat, Mermaids and I went to see Black Swan yesterday and by the end of the ads and previews I was already mentally numb. The ads were the usual sugar-coated lies (World Wildlife Foundation donations make CocaCola environmentally friendly! New CarBrand will make you a better mom!) and all the trailers promised revolutionary excitement even when the movie was clearly a commonplace cliché.
Junk TV makes you feel as sick as you get from eating junk food, but you can't demand justice and truth from everything because you'll go crazy with frustration. When turning off the tube isn't an option, the only way to deal with large amounts of TV junk is to cease thinking and to accept it as inevitable. In other words, you become desensitized and morally apathetic. You adapt by learning not to expect anything substantial, or by accepting what's given as substantial because BigCorporate says it's so. It makes you question the humanity of people who watch large amounts of MTV.
Black Swan and Requiem for a Dream were directed by the same person (the latter we watched at Kitkat's house before going to the theatres). I'm opposed to violence in general, but that's not why I didn't like those films. I'm a fan of Fight Club, Firefly, Y:The Last Man, etc. because the gore there serves a purpose, either in articulating a message (ie. Fight Club was a critique of the violence generated by capitalist society) or at the least, in forwarding a plot that isn't already obvious. Meaningless violence is a sensationalist assault of the senses. Why are people forever asking to "feel something real" when we willingly subscribe to this yellow filmmaking, this emotional masturbation?
I came out of the theatre feeling cheated and misled. My heart sank as my friends gushed and cited the most cliché scenes as their favourites. I said nothing until after CafeLatte and KitKat had been dropped off and then I ranted at Mermaids.
An activist life isn't exactly filled with validation, and I appreciate that I have someone who listens (even if I'm not always right). She agrees most of the time anyway, but enlightened people like Mermaids, Starr and Trumon nonetheless resist activism. I don't understand that. How is it possible to recognize the need for change while continuing on like nothing's wrong? Conversely, why have I self-selected myself as a champion of social justice? Why do I feel it's up to me to do anything at all?
Again, I hypothesize that they were not instilled with the same sense of responsibility because they're the youngest in their families (maybe that's also why they listen so patiently to a chatterbox like me), but that's not really an adequate answer. I wish to understand the absence, denial and conception of activism because I fear that one day I'll burnout and/or lose my momentum, like the hippies that grew up to become corporate admin. I want to be Generation Why forever.
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